Thursday, 15 October 2015

Venice - the Lagoon


This post is one of the last few in the sequence (starting with The Birth of the Piave) that transcribes an audio diary recorded during a journey down the Piave valley, from the source of the Piave on Monte Peralba to Venice, in the summer of 1998. 

Briccole  [© P.A.G. 1998]
arrived in Venice on the first Sunday in September - Regatta Day - with my Italian friends Dario and Michele, to indulge in some sightseeing: the Rialto, the Lido and now... a trip around Venice's famous lagoon on a hired motor launch.

One of the most common sights in the lagoon is a set of three (sometimes more) posts used for marking the navigable channels, providing moorings, or both.

These are made from a special oak which has given its name to the posts: briccole.  

The wood decays when immersed in the lagoon and has a natural enemy: the shipworm - a woodboring mollusc that attacks wet or rotting timber.  

Much argument has been made for and against the use of synthetic materials in place of oak.

Recently it has been decided to allow such materials to be used within the lagoon (though not in the canals to replace the wooden mooring poles there).

But one man's enemy is another's friend...



Oak attacked by shipworm [courtesy Antico Trentino]

Oak attacked by shipworm is used in the manufacture of all sorts of beautiful wooden artifacts by Antico Trentino. You can find out lots more by following this link.  

Antico Trentino is the sole owner of the brand Lebrìc, and is the only company in the world that certifies and guarantees Briccola of Venice with a trademark of origin.
Venice Lagoon 9th December 2001
 [NASA/GSFC/MITI/ERSDAC/JAROS, and U.S./Japan ASTER Science Team]
















This view of the Venetian lagoon, seen from space, shows a wealth of detail.  The outflow plume of fresh water from the Piave Nuovo can be seen at the top of the picture.

(The Piave Nuovo was created to divert the river away from the lagoon, a remarkable engineering achievement, centuries ago.  Originally called the Piave Nuova, the gender of the Piave was changed  from feminine to masculine in celebration of the Italian victory over the Austro-Hungarian forces at the Battle of the Piave River in June 1918.  Shortly afterwards, many regions of Italy were overcome by a new fashion: the fluvial sex change.)

Attribution: I have complied with the attribution specification for the the image above at the end of this post.  All other NASA images (like the one below) are simply magnified zones taken from  the original high-resolution image.

Venice Lagoon 9th December 2001 (detail - the Piave Nuovo outflow)
 [NASA/GSFC/MITI/ERSDAC/JAROS, and U.S./Japan ASTER Science Team]

This magnified view (above) shows shows the outflow of fresh water from the Piave Nuovo in more detail.  

The old course of the river, the Piave Vecchio, still snakes its way around the NE shoulder of the lagoon to discharge into the Adriatic, to the south down the coast, as shown in the further magnified image below.


Venice Lagoon 9th December 2001 (detail - the coastline between the Piave Vecchio and the Piave Nuovo)
 [NASA/GSFC/MITI/ERSDAC/JAROS, and U.S./Japan ASTER Science Team]


Also visible in the image above are the wakes from individual vessels heading along the coast.  



Showing the route of the Piave Vecchio between Musile and Porto di Piave Vecchia
[Venezia, Carta della Provincia, Litografia Artistica Cartografica]

At Caposile the Piave Vecchia joins with the water from the River Sile which flows down from Treviso.  The Sile, too, has also been diverted from the lagoon (the waterway is marked 'Tagio del Sile' in blue on the map above), in order to prevent the build up of sediment in the lagoon.  At a point just before the river enters the sea at Porto di Piave Vecchia (see map above) there is a lock that connects the Piave Vecchio to a waterway leading into the lagoon.

Venice Lagoon 9th December 2001 (detail - the diversion of the Piave Nuovo (blue) from the original course, the Piave Vecchio)
 [NASA/GSFC/MITI/ERSDAC/JAROS, and U.S./Japan ASTER Science Team]

To the top left of the last NASA image (showing detail of the coastline between the Piave Vecchio and the Piave Nuovo) you can see San Donà on the left bank of the river and Musile, opposite, on the right bank.  Musile is where, in the opening chapters of The Door of Perarolo, Fortin's horse was stabled .  You can read more about both towns in the blog post entitled A last look at the Piave.  

Also on the right bank below Musile you can see the point where the old river course, the Piave Vecchio, diverges from the present main course of the Piave (shown blue) to head south towards the lagoon.  


Ships can now access Venice via the Porto di Lido [© P.A.G. 1998]
Our trip around the lagoon was a brief one, but took in quite a few things.  The Porto di Lido is now the main entrance for shipping arriving into port at Venice.  The channel is dredged to allow access for quite large ships - this was one of the smaller ships by which we passed.


Boats and ships are passing through the waters of the lagoon at all hours   [© P.A.G. 1998]
Further south along the coast is Porto Malamocco.  Readers of The Door of Perarolo will know that this is where the Rivoli, the flagship of the Italian fleet, was towed out of the lagoon before the start of her fateful maiden voyage.


Venice Lagoon 9th December 2001 - a view the three entrances to the lagoon.
 [NASA/GSFC/MITI/ERSDAC/JAROS, and U.S./Japan ASTER Science Team]









The town of Malamocco is virtually an island, surrounded as it is by the Adriatic to the east, the lagoon to the west and, to the north and south, waterways that connect the two. 


The island of Malamocco [courtesy Luigi Boatto]

Above is a photo, sent to me by Luigi Boatto, of an old engraving of Malamocco.  You can see briccole towards the left of the picture.


Map of the area of the lagoon [Venezia, Carta della Provincia, Litografia Artistica Cartografica]
The most southerly entrance to the lagoon is the Porto di Chioggia.  (Below Chioggia are the mouths of the Rivers Brenta and Adige.  The Adige is the second largest of Italy's rivers - the Po is the largest by far, the Piave is the third largest. You can judge the Adige's flow from the outflow plume seen in the NASA image.)


Chioggia - Canale di San Domenico early 20th C [courtesy Luigi Boatto]

Chioggia, like Malamocco is surrounded by water.  It is almost Venice in miniature with its canals and 
calli. A busy fishing port it is, like Burano (see below), famous for lace making.



Another view of the same canal [courtesy Luigi Boatto]
Chioggia - Corso Vittorio Emanuele [courtesy Luigi Boatto]


Luigi's postcards above show Chioggia in the early twentieth century.  The main street is named after Victor Emanuel II, the first king of a united Italy.  The Italian monarchy survived until the end of WW2 -  Italy, nowadays, is a republic.

Our boat trip around the lagoon didn't take in the islands, one of which is Muranofamous world-wide for the exquisite glassware crafted there.  Like Venice, Murano is  a really group of islands connected by bridges. You can find Murano on the map just to the north of Venice.  


Burano canal scene [courtesy Luigi Boatto]

Another island (to the NE of Murano) is Burano, famous in its turn for Burano Lace.  It is linked by a bridge to another island, Mazzorbo, to the west, once an important trading centre but now a place of orchards and vineyards.

Quayside scene, Mazzorbo [courtesy Luigi Boatto]

Just to the north of Burano in the lagoon is the island of Torcello (see the map previous to the one above) which was once (in pre-medieval times) covered by the houses of a town that as a trading centre was more prosperous than Venice.  In its heyday, it is thought that 3000 people lived there.  But the northern end of the lagoon silted up from the sediment transported by the rivers at that time, and the waters around the island became a mosquito-infested swamp.

Aerial view of  Torcello [courtesy Luigi Boatto]

Gradually the population dwindled, and nowadays there are only ten full-time residents on the island. The photo above shows the footprints of buildings since dismantled by the Venetians for their stone.   The most notable building, seen above, is the Cathedral of Santa Maria Assunta.  

Canal scene Torcello [courtesy Luigi Boatto]


You can see the cathedral to the right in this charming image from Luigi's vintage postcard collection.

Ponte del Diavolo, Torcello [courtesy Luigi Boatto]


The previous photograph was taken from the Ponte del Diavolo (the name indicating it to be an example of a devil's bridge).  The photo above is of the bridge itself.

Despite the tragic decline of Torcello, the island still continues to attract visitors, perhaps the most famous of which was Ernest Hemingway.  It was one of the locations where he worked on his novel Across the River and into the Trees -  an impressively tedious read.  As Alan Coren once said, 'Once I put it down I couldn't pick it up again.'

But our boat trip on the lagoon didn't take us north of Venice, so I have had to rely on Luigi's images to show us the islands there.

Looking across the lagoon at the Venice shoreline  [© P.A.G. 1998]

The lagoon is a big waterway!  These photos were taken from a bobbing boat using my hand-held Pentax SLR.  Above, the Venice waterfront showing the campanile in the Piazza di San Marco, with the Doge's Palace to its right.  Behind, you can glimpse the spires on the roof of the Basilica di San Marco.

You might think that the campanile in St Mark's square has been standing there for centuries.  Not so.  The original tower collapsed in 1902.


1902 - the wreck of the campanile in the Piazza di San Marco  [courtesy Luigi Boatto]

It was rebuilt ten years later, in the same form.

San Giorgio Maggiore  [© P.A.G. 1998]

This photo was taken looking in the direction of view shown by the arrow in the map below.  The other campanile visible, on the left, is that of Palladio's beautiful basilica San Giorgio Maggiore, on the island of the same name.

San Giorgio Maggiore [Dorling Kindersley: VENICE pocket map and guide]

The wide waterway to the left of the image above is the Canale della Giudecca.


Ships moored in the Canale della Giudecca in the 19th C [courtesy Luigi Boatto]
This image, kindly sent to me by Luigi, is a rare one of sailing ships moored on the quayside there towards the end of the nineteenth century.


Regatta day September 1998 [© P.A.G. 1998]
We were enjoying our trip around the lagoon but the time had arrived to return to Venice, to view the Regatta - which is the subject of next month's post.  I'd like, once again, to thank Luigi Boatto for his enthusiasm and generosity - there were even more images received by me via Facebook from Luigi, but I couldn't fit them all into this post.

Note: This blog supports readers of The Door of Perarolo, a historical novel set in Cadore, Italy in the early nineteenth century.  You can examine feedback from readers in the UK here and in the US here.  The Door of Perarolo is a Kindle ebook comprising 140 chapters.  It can be downloaded from Amazon sites worldwide. The launch post of this blog gives further details.  The second post provides links to maps, etc.

If you'd like to track these blog posts, you can follow me, Peter Alexander Gray, on Facebook.

I'm grateful for the use of the NASA image[s]; herewith the full attribution of author as specified by Wikipedia:

"Venice Lagoon December 9 2001" by NASA/GSFC/MITI/ERSDAC/JAROS, and U.S./Japan ASTER Science Team - http://earthobservatory.nasa.gov/Newsroom/NewImages/images.php3?img_id=16314. Licensed under Public Domain via Commons - https://commons.wikimedia.org/wiki/File:Venice_Lagoon_December_9_2001.jpg#/media/File:Venice_Lagoon_December_9_2001.jpg.


Monday, 14 September 2015

Venice - the Lido


There is so much to see and experience in Venice that a good guide book is an essential thing to carry in your pocket.  But with some guides you'll need a big pocket!  A little book that I came across recently is the Dorling Kindersley guide to Venice.  It measures only 7cm in width, so can be slipped into the pocket of your jeans.  It is very cleverly designed, full of informative descriptions of the major sights and has a fold-out section of maps at the rear.  There is also a section offering the tourist useful Italian phrases.

I didn't need a guide book in 1998 as I had with me two good friends. These were Dario, whose family lives in a small village near Mestre, and Michele from Castelfranco.

For those of you new to this blog, this post is one of the last few in the series describing the researching of my novel The Door of Perarolo (starting with the February 2014 post  The Birth of the Piave). 

I would like to thank all of you for your continued feedback relating to this blog.  Fabio Romagnoli, who lives in Marseilles, contacted me through facebook  to ask why I'd omitted to mention the Notte Famosissima  in the last post of this blog.

The Processione del Redentore in 1910 [courtesy Luigi Boatto]

This was in connection with the Processione del Redentore as shown in the 1910 image on the left.   
Sebastiano Giorgi's account on the Venicexplorer page tell all.  Here is a small extract:

For the "famous night of fireworks", between the 3rd Saturday of July and the Sunday after, thousands of Venetians and visitors come to celebrate, in the S. Mark´s basin swarming with boats crowded with people who bring typical culinary delights. Beginning on that Saturday morning, people engages with the organisation and preparation for the Redentore Festival. Foods are cooked for up to 20/30 people; candle-balloons, leafy branches and other trinket are hanged on the boats, terraces and rooftop loggias. From eleven to midnight, after the gastronomical moment, the firework show starts on the most beautiful stage ever realized by man. There is no other place on the world, where the light of fireworks may enlight with its colours a mirror of water like that of the St. Mark´s Basin, with the reflection of the Ducal Palace, St. George, the Columns of Mark and Todaro.  

The full article includes lots of photos of the fabulous firework display.  I'm not sure how the event would have been celebrated in the 19th century, when the Reverend Alexander Robertson was resident in Venice. A wealthy visitor at that time might well have put up at the Grand Hotel on the Canal Grande - this advertisement is from Robertson's informative book Through the Dolomites from Venice to Toblach.  


The Grand Hotel towards the end of the nineteenth century. [Through the Dolomites from Venice to Toblach]

So... electricity and steaming British toilets.  What more could be more comforting and secure?

The Ponte San Biasio delle Catene [© P.A.G. 1998]

What we (Dario, Michele and myself) wanted next on that first Sunday of September was to visit the Lido (where the film festival is held every September).  Then we planned to return to watch the Venice Regatta which is always held on the first Sunday of this month.


The Lido [Venezia, Carta della Provincia, Litografia Artistica Cartografica]

So we took the vaporetto (a 'water bus'), which on its way  across the lagoon passes by the Ponte San Biasio delle Catene.  


Vaporetto route from San Marco to the Lido [Venezia, Carta della Provincia, Litografia Artistica Cartografica]

Turner's sketch of the entrance to the Arsenale
 from across the Rio dell'Arsenale [Tate Gallery]

In the last (August 2015) post I discussed the Venice Arsenal - in particular the Old Arsenal, which dates from the 12th century.  In all probability millions of galleys were manufactured there over the following years and sent down the narrow passage of the Rio dell'Arsenale and thence into the lagoon.  This stone bridge, the Ponte San Biasio delle Catene, which marks the spot, is relatively modern - erected in 1936. It is close by the Museo Navale (see the map above).

You can view the entrance to the Arsenale Vecchio via the Italy Guides' website and compare it with this drawing in Turner's sketchbook from his first visit to Venice in 1819 - the bridge from which you take your view in the Italy Guides' wonderful rotatable scene is the bridge seen in Turner's faint sketch above.


L'imbarcadero seen on a hand-tinted postcard
You could, in the early twentieth century, have caught a tram at the imbarcadero (or approdo as written on the postcard) on the Lido, where the passengers alighted the steamboat from Venice. 

The tram network at the Lido operated between 1900 and 1940 to serve not only Venetians but the expanding tourist industry of that period.   




Detail from 1903 postcard [courtesy Luigi Boatto]
These electric trams were the descendants of the early horse-drawn trams that operated on the island.  I have to thank, once again, Luigi Boatto for sending me this (right) and other images for this post.


The electric trams themselves were replaced by a a trolleybus network in 1941. The trolleybuses conveyed tourists around the Lido until the disastrous floods of 1966 destroyed the infrastructure.


Grande Albergo Ausonia & Hungaria [© P.A.G. 1998]
Like the people leaving the steamboat in years past we strolled from the landing stage and made our way away inland from the shore of the lagoon.  We passed by the Grande Albergo Ausonia & Hungaria with its unique multi-coloured mosaic facadeBuilt in 1907 and given its position just a short distance from the beach, the hotel was popular with wealthy travellers from all over Europe
Grande Albergo Ausonia & Hungaria in earlier days [courtesy Luigi Boatto]







Closed during WW1, the hotel reopened in 1920.  In 1932 the first Venice International Venice Film Festival  took place at the Lido.

Palazzo della Mostra del Cinema [courtesy Luigi Boatto]

This image (above) from an undated old postcard shows the exhibition building; the overhead trolleybus wires indicate that he photo was taken prior to the 1966 floods - probably (judging from the clothes being worn) in the 1950s.


Still going strong - Il Palazzo della Mostra del Cinema in 1998   [© P.A.G. 1998]

1998 was the 55th year of the exhibition, and in the first fortnight of this September while I'm writing this post, the 72nd is in full swing - finishing on the 12th September.


A knees-up outside the Lido's Casino  [© P.A.G. 1998]






I thought it was about time I introduced you to my two companions, so I set up my camera on its tripod, started the timer, and we posed outside the Lido Casino, nowadays - eat your heart out 007 - closed.  The truth was, the Lido's days of fame and glory were slipping into history.  (But in 2008, a refurbishment of the whole of the Lido complex was announced, worth £75 million pounds in UK currency, and the building is now an art gallery.)

Now, tell me, what chance was there do you think of that lady's pushchair parasol covering all three of our faces in the field of view just as the shutter clicked?  If you take enough photos eventually... you hit the jackpot!

The Hotel Excelsior [© P.A.G. 1998]
However... our knees are still visible, so allow me to introduce the knees of my companions. On the left, under smart blue jeans, the knees of Dario Masiero; in the centre, below some stylish Italian shorts, the knees of Michele Berton; on the right, beneath a pair of faded old football shorts, the knees of P.A.G.

We decided to try for a photo again a little later, on the return leg.  

A little south down the seafront from the exhibition centre we came across the magnificent Hotel Excelsior. Currently, a night in this five-star hotel will cost you £241 - but the wifi is free! This makes the Grande Albergo Ausonia and Hungaria (4 stars) seem a snip at £146.  

The towers of the hotel are round the back, where there is access to private moorings for the boats of the film stars and the seriously rich.  Dario told me that there's a tunnel under the road where, after stepping off his boat, someone with such financial clout can gain access to the hotel.

I took two photos (below) from the street, to the right of a stone balustrade; the white-hulled boat to the left is seen more clearly in the second of the two photos.


Boats for the well-heeled members of society?  [© P.A.G. 1998]




You can also (photo below) glimpse the balustrade.  The area shown in the two pictures I took in 1998 is very private - no possibility of access by riff-raff such as Scottish academic in inappropriate mufti.  


No one here wearing old footie shorts...  [© P.A.G. 1998]


I wondered about tunnel that Dario mentioned from that day on, but it wasn't until last week (September 2015) that I saw literally the whole picture... 


The Excelsior in times past  [courtesy Luigi Boatto]




It was then that Luigi Boatto (thanks, Luigi!!) sent me this image - the old postcard above. You can see in this picture people standing on the exact spot from which my photos were taken in 1998.  

The Hotel Excelsior - another view [© P.A.G. 1998]
You can also see that underneath the stone balustrade there is a building next to the entrance to which stands a man -probably a hotel employee in uniform.  Compare this with my 1998 photos - the striped poles are still there, but in my images you can see that an extra landing stage has been added, with an awning leading to the front of the stone building - which suggests that the entrance is now there, rather than at the side. This is undoubtedly the gateway to the tunnel that runs under the road, allowing guests to step off their boat and walk directly to the hotel without having to rub shoulders with folk of lesser means.

The Excelsior first opened its doors in 1908.  The image on the right gives more details of one of the hotel's twin towers. The Excelsior was designed by the famous Venetian architect Giovanni Sardi, who saw his masterpiece completed in a mere 17 months.  Film stars such as Errol Flynn have stayed there; so have, in their lifetimes, the Duke of Windsor and  Winston Churchill.


Beach bathing at the Excelsior Palace Hotel [courtesy Luigi Boatto]
Of course, it helps to pull 'em in if you have your own private beach, which the Excelsior and many other hotels have. We would have loved to have had a paddle in the warm waters of the Adriatic, but the time had come for us to retrace our steps. 
Outside the exhibition centre for the Film Festival I tried for another photo of Dario  and Michele - but this time it was a hand-held shot as the timer had failed us so spectacularly at the previous attempt.


Michele and Dario join the stars [© P.A.G. 1998]



Dedicated to the Porters' Union?  [© P.A.G. 1998]

Inside the building there was an exhibition of art - lots of sculptures of figures straining under the weight of cones, cylinders, cubes, spheres... it was beyond my understanding as an academic working in the sciences.  I looked around to see if I could see an enlightened face... and failed.  


So I fled through to the back entrance of the building and snapped a photo of the Adriatic.

A last glimpse of the Adriatic  [© P.A.G. 1998]


At the sharp end on a trip around the lagoon [© P.A.G. 1998]
It was time to quit the Lido. Dario and Michele decided that it would be a good idea if we hired a boat to take us on a trip around the lagoon before we went to watch the start of the Regatta.  

So we did.  But more of that in the next post...




Note: This blog supports readers of The Door of Perarolo, a historical novel set in Cadore, Italy in the early nineteenth century.  You can examine feedback from readers in the UK here and in the US here.  The Door of Perarolo is a Kindle ebook comprising 140 chapters.  It can be downloaded from Amazon sites worldwide. The launch post of this blog gives further details.  The second post provides links to maps, etc.

If you'd like to track these blog posts, you can follow me, Peter Alexander Gray, on Facebook.